Tag Archives: silversmithing

Diploma in Silver Jewellery graduate feature – Leonie Marks

This week on the blog we will be featuring some of the graduates of our Diploma in Silver Jewellery as we have a free exhibition of their work this Friday, 7th July 2017, 6.30-8pm, at our London studios. You are invited to attend!

Today we feature jeweller Leonie Marks

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Where do you live? I live in Essex near the Blackwater Estuary

When did your interest in jewellery making start? I first became interested in making jewellery in 2010 when I thought how wonderful it would be to turn shells I had found in the Isles of Scilly and Essex into silver pendants.  I achieved this using metal clay and then started using sterling silver in sheet and wire form using basic soldering techniques to create different pieces.   

Why did you decide to take the Silver Diploma? I set a little studio up in my garden and then taught myself to set stones (in a fashion) which led me on to taking the Silver Diploma course as I desperately needed expertise in learning stone setting amongst numerous other techniques covered in the diploma course.   

 

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What was your favourite class on the diploma and why? I loved the whole diploma course as it covered so many different techniques and mediums which I would not otherwise have explored.  I would still say the Stone Setting was my favourite class.

What are your goals for the future? My goals are to continue to perfect my silversmithing skills – in particular stone setting – doing more short courses at the London Jewellery School.  I have a small business selling at fairs and online which I am aiming to expand over the next 12 months.  Since doing the online business course at The London Jewellery School I am currently setting up a new website which should be up and running in the next month.

You can follow Leonie and her work on Facebook https://m.facebook.com/leoniemarksjewellery

and Instagram – https://instagram.comleoniemarksjewellery

 

leonie-marks-bangle-london-jewellery-school-diploma-in-silver-jewelleryThe Diploma in Silver Jewellery exhibition is this Friday, 7th July 2017, 6.30-8pm

Where: London Jewellery School, Rear Ground Floor Studios, NEW HOUSE, 67-68 Hatton Garden, London EC1N 8JY How to find us

No need to RSVP, just turn up!

all images copyright Leonie Marks 2017

Diploma in Silver Jewellery graduate feature – Sandra McArdle

This week on the blog we will be featuring some of the graduates of our Diploma in Silver Jewellery as we have a free exhibition of their work this Friday, 7th July 2017, 6.30-8pm, at our London studios. You are invited!

Today we feature jeweller Sandra McArdle

sandra-mcardle-london-jewellery-school-diploma-silver-jewelleryWhere do you live? I live in a village north of Newbury in Berkshire

When did your interest in jewellery making start? My interest in silver jewellery making started many years ago. I joined the local Woman’s Institute and did a taster course at the WI college. Around this time I was inspired by the poem “The Station” by Robert Hastings (worth a read if you are on a relentless career treadmill). It opened my eyes to the world around me and I started to see and really appreciate the beauty in nature, the shapes of leaves, the structure and delicacy of petals and the colours.

Why did you decide to take the Silver Diploma? I started to research silver jewellery making courses and dreamt about doing more of the thing I had come to love, working with silver. I kept coming back to the London Jewellery School and the varied structure of the course. I was delighted to achieve the Diploma in Silver Jewellery in 2016 and started Sandra McArdle Jewellery 

Now I love working with silver and semi-precious stones to create an object of beauty. I never cease to be amazed at the way silver changes and responds as it’s worked to create that final piece and to be part of that process is so rewarding.

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A commission – a pair of earrings with semi precious stone and 14ct gold granules.

What are your goals for the future? As I have developed my business I have had the privilege to meet some wonderful people, to talk to them about what it is they are looking for in a piece of jewellery or silverware. I love working with them to develop and design that special piece, and creating an item of jewellery, a gift or keepsake is something I am very proud of.

I am looking forward to developing my business as I move into a new studio and put in practice the things I learnt on the Jewellery School Online  Jewellery Business Bootcamp!

sandra-mcardle-london-jewellery-school-silver-diploma-cufflinksWhat are your favourite pieces you have made so far and why? My first commission – cufflinks for a saddle maker, replicating the saddle makers round knife used to fashion the saddles

 

 

 

 

 

 

 

sandra-mcardle-london-jewellery-school-silver-diploma-trinket-boxMy favourite commission – a trinket box (with mints!) inset mother of pearl and my signature granules on the polished lid. The box has textured sides and my decorative hallmark on the base.

 

 

 

 

 

You can find out more about Sandra’s work on her website http://www.sandramcardle.co.uk/ to get in touch with her email sandra@sandramcardle.co.uk

The Diploma in Silver Jewellery exhibition is this Friday, 7th July 2017, 6.30-8pm

Where: London Jewellery School, Rear Ground Floor Studios, NEW HOUSE, 67-68 Hatton Garden, London EC1N 8JY

How to find us

No need to RSVP, just turn up!

images copyright Sandra McArdle 2017

Advanced Jewellery Diploma review – back to school again!

Back in September 2015, after a year of jewellery making in an evening class, I took the plunge and decided to use up a good chunk of annual leave on a two-week Advanced Diploma in Creative Jewellery Course at London Jewellery School.

Real school wasn’t easy peasy for me. As it turns out, I am a stealth dyslexic who muddled through, mildly stressed-out, until a lecturer found me out through the help of a particularly nonsensical essay. So I was slightly nervous rather than excited going into my two-week staycation learning holiday. I already knew I really enjoyed making jewellery, but had been making my first pieces in a very excited, thankful-it-was-going-well kind of way and was a little undisciplined when it came to perfecting techniques. I still work a little in this manner, cracking on with each new idea, as it’s what I enjoy about making. The structure of this course, with specific days for designing and the various methods of making (and focussing on the different techniques within this), really helped to control my natural inclination to work in a scattered way. Although this course was ideal to rein in and consolidate ideas, I feel it would be equally beneficial to students approaching these weeks looking for creative inspiration.

Having whole days devoted to making was such a treat, I felt like a proper jeweller. All the tutors are practising, exhibiting and selling their work, so the conversations in the classes were often helpful beyond the subject being covered and I felt genuinely encouraged by people who knew their onions.

Speaking of onions… One of the areas where I had little formal training and had practiced at home the least was wax carving and so in that way that it felt that it was stretching me to learn – these two days of designing and making were a little like going back to school. I love the products (or should I say produce) of these days. These bad boys are perfect for me, they are heavy, ridiculous and pun-tastic. The expertise of the tutors was there to make the heavy and ridiculous aspects non-essential qualities of this design. This advice always assumes that you may want to start your own business; these pieces could be made lighter and more wearable and it considers the cost of casting as well as the customer experience of the piece.  I also could not have managed to create such spheres without the patient help of an expert.

Onions

Another thing that attracted me to sign up for this particular course was the prospect of the work placement, usually a week long, that staff will help you to arrange within an area that is of interest to you. I did mine with JC (Just Castings in Hatton Garden) and it was an invaluable insight into the process of casting, CAD design, plating, 3D printing and finishing jewellery to professional standards –but this is another story in itself. I wear the silver ‘haribo’ ring I made there every day. Along with many other pieces from my happy little jewellery holiday.

I would recommend (and have recommended) treating yourself to this course, I signed up after a quick visit to the studios but there are taster classes and you can visit on an exhibition day (next one is 7th July 6.30-8pm, no need to book). Essentially I left the course feeling like I had achieved real goals I didn’t even realise I had at the beginning and with a certificate to prove it!  It also led to the potential to sell my work, something that I have mostly kept in my back pocket until the opportunity to sell through an immersive art show last December presented itself.

Polishing up your potential

The small class sizes at the London Jewellery School means that you get a lot of expert tuition in the classes, making it possible to cover a range of techniques in these weeks. The course description gives a really good idea of what you will learn but here is a quick run through of my experience on the course.

The course starts with a design day, a great chance to think about what you want to make and ways to go about making pieces for the projects ahead. As we were a very small group, we also had time to start experimenting with resin.

Day two was for learning cold connections, truly riveting stuff! This involves looking at ways to join materials without soldering, a great technique for moving pieces or mixed media. I made a decorative hinge that I later used for an oyster card holder, various animal shapes as testers to hold metal pieces together, a technique I later used on a Perspex and sea glass silver ring.

Fold forming was next, a really fun and loud technique for creating shapes and textures through excessive hammering. We made silver origami frogs amongst other experiments (I attempted my usual crane but a simpler design that another student knew was more effective), seen here with the squashed frog necklace. When fold forming goes wrong it can still be pretty interesting (I love this piece but would recommend a simple boat as a fail-safe alternative.)

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The two days of mixed media jewellery making were a total dream of experimenting and resolving ideas through different techniques. Making a sea glass, silver and perspex ring with rivets, a wooden neckpiece with a tube of multi-coloured macramé and perspex fastenings to hang from, some ‘Banana handbag’ earrings and a spirit level cuff. So not a bad haul at all. This was so useful as a chance to explore different materials and how to work with them. Great for exploring colour, shape and using bits and pieces you may not have considered using before.

The two days of stone setting were honing specific techniques that could be employed in any piece after the course and also resulted in 3 wearable items. Each of these techniques was challenging in its own way and I felt that each was improving my making skills in a recognisable way. These were channel, collet and claw settings and pictures of these 3 pieces were posted on the Schools’ Instagram account, a small gesture that was really encouraging, as probably only friends would have seen my work before.

Bean

Bean ring (magic beans for growth)

The last day of the taught course was recycling silver. I had done a little bit of silver recycling before so didn’t expect that going through the process in a structured manner would shed that much light on a technique. However, melting my silver scraps in the crucible on this day produced a really fun ‘Bean’ ring, a product of the natural shape and texture that can be achieved with this technique. I had already made some cast vegetable jewellery so it fits into my little collection nicely and its smoothness makes it distinctly more wearable than my Romanesco Cauliflower ring. One of the tutors recently reminded me to follow up the ‘food jewellery’ and get selling my work. This really illustrated to me how much they genuinely care about nurturing any ambitions you might be trying to shy away from and keep you making jewellery! Magic beans indeed!

Interested in finding out more about the Advanced Diploma in Creative Jewellery? Our next intake is Monday 4th September 2017. Take a look at our website for more information. Have questions? Give us a call on 0203 176 0546

Lil Adams is the London Jewellery School Sundays Studio Manager. Lil studied Fine Art in Leeds and lived in Melbourne before travelling about and settling in London. She now works at the British Architectural Library and enjoys making jewellery with found and natural objects and is shamelessly addicted to casting.

 

 

In the jewellery workshop: Hammer time

jewellery making hammersIf you were to create the sound track of the London Jewellery School studios, hammering would definitely feature.

Hammers are an essential for silversmithing as well as being useful for other jewellery-making such as wire work. So here are a few that would be useful in any jewellery workshop.

rawhide mallet

Rawhide mallet. This studio workhorse hits your silver with less force than a metal hammer so is useful for shaping your pieces when you don’t want to damage the surface.

jewllery making textureing hammers silver

Texturing hammers do what they say on the tin. The ridged patterned ends allow you to make patterns on you metal. They come in a wider variety of patterns. Our beginners silver students usually enjoy testing out a range of these hammers on copper to see what they can achieve.

ball pein hammer

Ball-peen hammer. These all-purpose hammers can be used for flattening and shaping metal, removing dents and to drive chisels, punches, stamps.

planishing hammer

Repousse hammers can be used for both planishing and forming metal into complex shapes and for light riveting. They can be used with a doming block, anvil or sand bag. The large flat surface reduces the risk you may damage your piece.

riveting hammer

Riveting hammers are light weight and used for securing rivet ends. The heads are relatively small to allow you to be precise.

whammer

Hammers can also be in wire work to flatten and work harden your pieces. The Whammer pictured was designed by wire jewellery specialist (and LJS tutor) Linda Jones has a domed metal end for flattening and hardening wires against a steel block and a nylon end for working with coloured wires so that the surface isn’t damaged.