Tag Archives: london jewellery school

Adventures in wax carving – Week 3!

So if you have been following my weekly diary of my 5 week Wax Carving Evening Class at the London Jewellery School you will know that after week 1 and week 2 we are getting close to finishing our first projects and spent most of week 3 refining and finishing our designs so our waxes were as perfect as possible before being cast!  Apparently it takes 3 times as long to fix any imperfections in silver as it does in wax so tutor, Sophie Arnott, spent a lot of time this week checking our waxes and helping us make those minor improvements that would save us precious time later!

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There were lots of busy hands this week! 

In the case of my design – I had to burr out some of the wax underneath to reduce the weight of the final piece.  That was pretty hairy as I was using a burr in a pendant motor.  Now whilst I have used a pendant motor many times before over the years, I have only ever scooped out the underside of waxes by hand (and I typically use burrs in a pin vice and do by hand too) so using burrs in a motor was a new experience for me and it was very easy to slip!  I was worried about burring out too much wax but Sophie assured me you can usually take away lots more than you think.

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My 1st Finished Wax

Once I had finished burring out the wax it was time to refine the finish of the wax so it was nice and smooth.  To do this we used many grades of sandpaper (haven’t met anyone who enjoys sanding yet and this class is no exception but it is necessary!) to smooth the surface and remove any scratches or imperfections.  I then finished off the surface with steel wool for a really nice smooth finish.  Finally, as I had a few curls of wax left on my piece that I couldn’t quite reach with the sandpaper or steel wool I wafted my piece over a flame which melted the excess and left a lovely smooth finish!  It is easy to overdo it and you do need to watch that you don’t melt your piece (or burn your fingers) but boy does it make a difference!

And as promised, here are some shots of my fellow students amazing waxes!

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Aren’t their designs stunning!?  Quite extraordinary that 7 people taking the same course are using the techniques learned in such different ways!  I just can’t wait to see what everybody does for their second project!

Until next time!

Author: Karen Young

London Jewellery School Blog_Karen Young Bio

Adventures in wax carving – Week 2!

So last week I posted about week 1 of my 5 week Wax Carving Evening Class at the London Jewellery School.  We have now had our second week of our class and it is fair to say that we were all getting into the swing of things and powering forward with our designs!  Some of us made some changes to our designs this week as we had had the chance to think about our pieces and how we would realise them in wax!

So it was pretty much straight to business this week!  We all worked hard shaping the wax and scraping away and refining the waxes.  It was a very quiet class as we were all concentrating so hard!

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Everybody hard at work on their designs! 

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Our lovely tutor, Sophie Arnott, putting us through our paces 🙂

My own design is coming on.  I pretty much have the organic shape carved out and am just refining the surface with sandpaper and steel wool to make sure it is nice and smooth as any flaws in the wax will be picked up in silver (and are much harder to sort out once cast!).  I will waft my piece under some heat to remove any little curls of wax remaining so it is completely nice and smooth for casting.

Next week I will start burring out the underside of the ring to make the ring lighter (as it would be very heavy in solid silver, not to mention expensive to cast!) to make it nice and comfortable to wear using a ball burr in a pendant motor.  And I will hopefully make a start on my second design.

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My wax carved ring – almost finished 🙂 

I am really enjoying the course so far and although I still love fabricating pieces completely by hand from sheet metal, wire and tubing, I can see how this technique could be incorporated into my designs and collections.  Plus it is incredibly therapeutic peeling away layers of wax!

I can’t wait for week 3 and seeing some of the finished waxes of my fellow students!  Have a great week and will post pictures of how everyone is getting on next week!

 

Author: Karen Young

London Jewellery School Blog_Karen Young Bio

 

Spotlight on Vlad Zoldak – our 2016 Jewellery Maker of the Year!

In August we ran our 2016 Jewellery Maker of the Year competition and were thrilled by the amazing designs entered!   So many of you wanted to know more about the designers behind the winning entries.
In part 1 of this series we featured Kim Styles who won 2nd Place in the competition.  And today we are speaking to Vlad Zoldak who won 1st place for the amazing Interstellar Ring design.
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Interstellar Ring by Vlad Zoldak
Huge congratulations Vlad! Your Interstellar Ring is breathtaking!  Can you tell us a bit more about the piece and the inspiration behind it?
The inspiration for the ring came out of the stone itself really. When I looked at it for the first time after it arrived I couldn’t help myself wondering what made it possible that such stone grew here. The stone immediately felt like frozen block of crystals clear blue water that may have landed here from place not known to us yet. I loved the stone from the beginning and it is one of my favourite stones to this day. I knew that I wanted to keep as much of the stone on display as possible so I had to think of the best way to set it. The choice of material and design came out naturally as just silver and good old soldering is really what I love about making jewellery. I knew that I wanted to set the stone in strands of silver square wire to resemble the geometric cut of the stone but the idea with different lengths strands came later and resembled crystallising water.
How and when did your jewellery making journey start?
I always loved silver jewellery. I lived in Camden Town for a time and I grew to admire the craftsmanship of some of the jewellery makers at our local market. I began to think about jewellery making more, and found myself searching for jewellery courses that would fit my family and work commitments. I found the London Jewellery School and I liked what they had to offer so I went for it!
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Silver and gemstone ring by Vlad Zoldak 
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Have you had any formal training? If so where did you train?
My only formal training that I had was at the London Jewellery School. I took several courses on subjects that I knew I wanted to concentrate on. I then took everything that I have learned there to my studio and began to experiment.
Where do you typically find inspiration for what to make next?
I primarily work with stones set in silver or plain silver. The inspiration always come directly from stones that I buy the design comes later. On pieces without stone I gain inspiration from pretty much anything; my surroundings, nature, my family…etc.
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What are your favourite techniques or medium?
Good old soldering and 925 Silver.
What are your favourite tools?
My torch, saw and dremel.
Do you offer workshops or classes?
Yes, I offer free classes to my 4 year old son 😉. No I don’t have immediate plans to provide any classes or workshops but that is something I would eventually like to do.
\What is the favourite thing(s) that you have made to date?
A pair of earrings that I made for my other half.
What is next for you and your jewellery business and what do you hope to achieve in the next 18-24 months?
I am currently working on new collections but also a few one-off pieces. I will be spending a lot of time in my studio in order to prepare for jewellery shows and fair that I would like to be part of.  I am also looking to complete few more courses to develop my techniques.
Do you have a website? How can we see more of your work? [Please include web address or the likes of etsy shop links plus your social media channels]
I am currently updating my website and blog as they no longer served the needs of my business. However, you can find me on Etsy, Instagram, Twitter and Pinterest.

 

Thanks for taking the time to talk to us, Vlad.  Your work is just outstanding and we are so proud to have played a small part in your jewellery making journey.  All of us here at LJS wish you the very best of success!

 

Make 2017 the year your jewellery business shines!

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Our founder Jessica Rose teaches all of our jewellery business students that spending a little bit of your valuable time creating a plan for your business and reviewing progress regularly is fundamental to building a successful business and getting you to where you want to be.  Doing at least one thing each day for your business can pay dividends, and just think that doing at least one thing each day (more is great of course if you can manage!) then after a year that is at least 365 things you have done to build your business!

But where do you start?  What tools do you use to structure your ideas, thoughts and priorities?  How can you make sense of the 100s of balls you have to juggle as a business owner?  Running a creative business is hard work and there aren’t always enough hours in the day!   Plus you have a creative mind – let’s face it, we didn’t really start our creative businesses to spend our time creating cash flow forecasts and tax returns!

That’s why we are so excited to share this fab new monthly planner aimed at aimed at creative product-based businesses such as jewellery businesses that recently launched its Kickstarter campaign!  DREAM, PLAN, DO is the brainchild of our good friend Patricia Van Den Akker of The Design Trust.

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Patricia is an extremely knowledgeable business coach, trainer and advisor with over 15 years experience and she has channelled all her knowledge into DREAM PLAN DO to help creatives run successful businesses doing what they love!

This monthly planner will help you plan strategically for your business, prioritise your time, and help you take practical actions each month to get you there in a simple yet structured way. Each month will have a theme that builds on the previous month meaning you are focusing on the right things at the right time of year making it easy for you to focus on what matters the most.

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DREAM PLAN DO Monthly Planner – photographs by Yeshen Venema

Do check out the Kickstarter campaign here and learn more about how this monthly planner might be the tool that helps you lift your business to the next level in 2017!

We are proud to be an affiliate partner of Dream, Plan, Do which means that we get a small commission if you decide to support the Kickstarter Campaign. We only recommend products and courses that we think are practical and useful for our audience of jewellery designers and creatives, and having worked closely with Patricia over the years know how amazing this tool is going to be for you and your business!

London Jewellery School Studio Warming

A few weeks back we had a ‘studio warming’ event to welcome visitors to our new studios in Hatton Garden. Tutor Anna Campbell was there doing a jewellery making demonstration and gives her take on the evening.

I always love the open studio events and the christmas party (keep your eye on the blog and our facebook page for details of the Christmas Party – coming soon – shhhh mark Tuesday 13th in your diaries!). It’s fun to chat to previous students and have the chance to introduce new students to the studios and the classes.

This year we were welcoming students to our new home in Hatton Garden. It’s great to be back in London’s famous jewellery quarter and we know that students are loving our new central location.

At our studio warming this year we had a lot going on including a sample sale run by tutor Annie Mason in aid of MacMillan. Every time we run a class the tutor makes a demonstration piece. This has led to us having quite a lot of class samples over the last seven years so it is great that we can sell these for a good cause – we raised £230 in total!   Thanks to all those who bought some jewellery on the night and supported our charity.

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Tutor Annie Mason doing a sterling job raising money for Macmillan.

We also had a display of samples for our next live TV show on Create and Craft TV. I will be demonstrating stone setting in metal clay torch fired techniques and will have three metal clay kits for sale, including instruction videos. Keep an eye on our facebook page for details of the show times.

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Water Casting samples

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Helen Walls pouring the metal into the water

The main event was our three free jewellery making demonstrations. Tutor Helen Walls demonstrated water casting, which is where silver is melted and poured quickly into water to create interesting shapes. This is always an organic process, you never know quite what you’re going to get! But that’s the joy of it.

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Tutors Anna Campbell and Michelle Leaver

Silver and enamelling tutor Michelle Leaver then demonstrated how to make stacked silver rings, a very popular and fun evening taster class.


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I then did a demonstration of using the new sterling silver Art Clay 950. I talked through the benefits of the new clay and my experiences with it. I then showed how I made the ring pictured above.

Thank you to all who came. We were very pleased at the turn out, the demo room was always full!

Author: Anna Campbell

LJG Guest Blogger - Anna Campbell of Campbell Hall Designs

Behind the scenes at Create and Craft TV

Metal clay tutor Anna Campbell made her live TV debut for the London Jewellery School on Create and Craft TV last week. She gives us a behind the scenes look at what goes into making the show

 

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Earlier this year our founder and director Jessica Rose appeared for the first time on the shopping channel Create and Craft TV, showing a metal clay starter kit in action. It was very popular and Jess and the Create and Craft team decided to bring more London Jewellery School products and online courses to the channel. It was decided to continue the focus on metal clay. In January this year I had filmed the ‘torch fired stone setting in silver clay’ for Jewellery School Online so a stone setting kit was put together, along with the online course, to sell on the shows. Jess asked me if I would like to do the live TV demos and, of course, I said yes!

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Screen tests and samples

There’s a lot of work that goes into preparing to go on live TV. Firstly, I needed to travel up to Peterborough, where Create and Craft film their shows, to do a screen test. This was a fifteen minute demo of what I can do to check that I would be OK on camera. There’s a whole list of things you can and can’t say, can’t wear (some patterns etc can look funny on camera!) and there was even a helpful video to watch of dos and don’ts!

I had my screen test with presenter Martyn Parker who had just been on air so must have been ready for a break! To be honest, in my view it didn’t go that well! My metal clay wasn’t behaving but I was able to keep talking and was passed to go on live TV! It was a great learning experience and made me really think very carefully about getting everything ready for the real thing.

I needed to have lots of samples of finished pieces that could be made with both the beginners kits and the stone setting kit to show. This really helps people get inspiration about the finished products that can be made with the tools and the online classes. I also needed some ‘here’s one I made earlier’ pieces so there was no waiting around on the show. Luckily, Jess had the finished samples that she had used previously for the beginners kits so I could focus on the stones. I went to LJS to pick up some samples from the stone setting silver clay class and put them on chains and cords. I also made some more pieces myself to take for display and to show as work in progress.

 

On the day

My shows were at 4pm and 7pm on 7th October. I was glad that they were later in the day as I could travel up from home and back in a day.

When I arrived I went into the green room to get ready. I got changed and did my makeup and hair (sadly there are no make up artists to do that for you!). Then I was able to go into the studio to set up the display of jewellery and the demonstration area. You have to be quiet in there as the live show is filming in the same studio so I tried not to drop anything!

The staff in the studio were so helpful, helping me set up the jewellery, unravelling chains and generally remembering the stuff that I might have forgotten! There was a bit of concern about the torch firing demonstration. It is something we do safely every day in our own studios at LJS but I understand that they don’t regularly use butane torches and so were a bit wary!

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First live show

I was so lucky to have Natasha McCarty to work with as my first presenter on live TV. She had previously done a show with Jess and was excited about the silver clay. She really helped keep me at my ease and I so appreciated that as I was nervous. I did find that the time flew by and I quickly just got on with talking about the clay and doing the demonstration and forgot the five cameras that were pointing at me!

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Feedback and making new samples

After the first show I went back to the green room for tea and custard creams! The producer came down to talk to me and asked if we could change the second show slightly to get to the polishing of a piece earlier. I could understand why, it’s important for people who hadn’t seen it before to be able to see how the clay turns into silver and the firing and polishing is the magical part.

This did mean, however, that I had to quickly made some new samples for the later show. I did this and dried them on the top of the kettle!

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Final show

My final show of the day was with Andy Love. He had been on air during the previous hour so I didn’t get much time to talk to him before the show started but he was also great to work with. I did two torch firing demonstrations in this hour (I’m sure they loved that!), one demonstrating the basic kit and one showing the glass setting.

Then it was time to pack everything back up to get the train home.

It was a long, tiring day but I really enjoyed the experience and hopefully I will get a chance to do it again!

Author: Anna Campbell

LJG Guest Blogger - Anna Campbell of Campbell Hall Designs

The ‘C’ Word (Part 2)

 

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So Part 1 of this blog talked about how you can start to prepare in advance for the Christmas Period and start building your inventory early.

Part 2 will look at how you can preserve your all important time for revenue generating activities by improving your productivity and reducing your admin. So how can you do this?

5. PLAN YOUR PROMO & OFFERS

A. CREATE YOUR MARKETING CALENDAR

I am a big advocate of planning your marketing and social media in advance, but it is even more critical you do this for the Christmas period so that you aren’t frantically worrying about what to post and when to post when you have a million other things to do. Get a big calendar and plot out the big events (remember Black Friday and Cyber Monday as these are great events for sales), and your special offers to coax people into buying.

For example, I offered Free Shipping (Special Delivery) for any purchases in November and a free polishing and finishing kit in December plus free gift wrapping. Some people offer free up-sell items such as stud earrings.  You may also offer early bird discounts for ordering early.   I essentially had what I wanted to post on social media plotted out including my newsletters (high level content at the very least) well in advance so I didn’t have to worry about what I was going to post on the likes of Facebook, Instagram and Twitter on any given day.

B. CREATE ALL YOUR COPY, GRAPHICS AND IMAGES IN ADVANCE

Once you have plotted out what you want to post, spend some time drafting compelling copy (you will always need to review and tweak just before you post but that takes minute) and creating images in advance using the likes of Canva (they even do an app for the iPhone!) or Picmonkey.

I blocked out a couple of days in September to take festive pictures of my jewellery and taking behind the scenes shots so that I had everything prepared in advance. Of course I left a little space to add in impromptu photos of Christmas fairs, custom pieces and work in progress, but I had 80% of my content planned in advance.

Then every Sunday I blocked out time to schedule the week ahead and I blocked out an hour each day to respond to comments and engage with my customers and followers. Time blocking really helped me make the most out of my time and meant that I could focus on social media time on engaging with people rather than writing and posting content.

C. DECIDE ON YOUR KEY DATES (INCLUDING LAST ORDER DATES!)

It is essential that you decide on the key dates for your business including last order date for custom pieces, last order date from your regular collections and when your shop will be closed to orders for the Christmas period. Then you know what the boundaries are and you can communicate these to your customers well in advance.

6. DECIDE ON YOUR PROCESSES

You have ordered your supplies and built your inventory, but there is another way you can streamline your work and that is by planning your processes or manufacturing operations in advance (can you tell I used to work in operations 😉 !?).

1. YOUR WORK SCHEDULE

Planning out your weekly work schedule can really help you organise your working week and working day. I tend to spend the first hour of every day responding to emails and spending time on social media.
Then I have dedicated workbench slots or days.

I like to batch together similar tasks such as soldering on cufflink backs or ear pins and do multiples of each task. I usually end up have 1 day of manufacturing (soldering, piercing, etc) and another day each week for polishing finishing and stone setting.

I then have a posting and packing day where pieces go to the assay office and post office) each week.

You have to be a little bit flexible, but by blocking out time for different tasks and doing what you can in bulk means you are usually more productive overall.

2. YOUR PROCESSES

Don’t make the mistake of wasting precious time trying to remember how to make each piece. Spend some time jotting down the process you follow to make and produce each piece of jewellery. It doesn’t need to be fancy – even a handwritten page in a notebook is fine – you can always work to having typed instructions later. Key information to include is:

A. Materials and dimensions – this way you can look up the dimensions and what the piece is made of (components and raw materials) and you can check your inventory and/ or start making the piece straight away without having to faff around measuring samples etc (or order the right materials and not forget anything!).

B. Time to make the piece including any parts that can be batch produced in advance

C. Step by step instructions on how to make the piece (include drawings or photographs if it helps) so each piece is as similar as possible.

D. Important notes such as alternate suppliers and any other relevant notes.

Also think about your order process end to end – I have a massive planner that is dedicate to my business and when an order comes through I enter the order in the calendar and add the piece to my workflow and diarise when I will make the piece (hopefully using pre-fabricated components), when I will assemble, polish and finish the piece (including setting any stones) and when the item is due to ship. I usually aim to do this well in advance of the maximum shipping date including in my listing so no order ever gets the stage where I am rushing to finish it in time.  I have set up all of my email templates in advance too including ato-responder emails as part of the purchase and dispatch process.

I also have 3 trays for papers – 1 for invoices for supplies or tools ordered, 1 for in progress orders and 1 for completed orders. This means I can easily file all my paper work at the end of each week without having sort through it carefully as I am doing this as I go. I put these papers in monthly folders which helps with my accounting each month – one of the first things to slip when things get busy!

3. OUTSOURCE WHAT YOU CAN?

You may want to look at any aspects of the process that you can outsource. For example, if pieces are being cast you may want to ask the caster to remove the sprue for you. Or get your pieces polished by a polisher. Or get a stonesetter to set your stones.

Find out the cost of this work and then establish if there are any processes you can get done more cheaply (or quickly) than if you were to do it yourself and try a few test pieces to see what the quality is like.

Even some help packing parcels a couple of hours a week or looking after your social media can be a big help. It can be a big leap mentally to do this (I really struggled with it) but at the end of the day your jewellery is still handmade, you have still designed it and done most of the work (certainly each piece has been quality checked by your hands) so it is worthwhile considering doing so that you can focus on the parts of the jewellery making process you are best at and enjoy doing particularly is your brand is taking off and you need to free up capacity to stay on top of your orders.

You never know, one day you may even hire bench jewellers to work for you so it is something you might need to get your head around sooner or later! The main thing I would emphasise is that if you do as much as you can in advance will really take some of the stress out of this busy time and make the Christmas period more enjoyable (and scalable!).

Do let us know of any tips and tricks you have learned to survive the Christmas period in the comments below!

 

Author: Karen Young

London Jewellery School Blog_Karen Young Bio

Diploma in Creative Jewellery – An Alternative to a Degree in Jewellery Making

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It’s Summer time here in the UK and whilst the holidays are in full swing, we are busy getting ready to welcome our new Diploma Students in September for a year of fun, hard work and creativity!  We offer a number of different Diplomas and options here at the London Jewellery School, but our signature Diploma is our 1-Year Diploma in Creative Jewellery which is a great alternative to doing a degree in jewellery, as you can work flexibly around other commitments and work as you spend 1 day a week with us!

This comprehensive Diploma Course is fantastic, as it introduces you to a wide range of jewellery making techniques, both traditional and contemporary, and really helps you to find your jewellery making ‘voice’ and unique style.  The Course will take you from a beginner in jewellery making to a professional standard and focuses on combining a mixture of traditional jewellery skills such as silversmithing, stone setting, wax carving and enamel but is unique also in its focus on more contemporary methods and materials such as resin, perspex, metal clay, fashion jewellery and polymer clay.  Although, the focus is on mastering the technical skills and techniques, over the Course of the diploma you will also learn essential skills for starting and running your own jewellery brand including technical drawing, photographing your jewellery  and a jewellery business day focusing on branding, USP and all the legalities of running your own business.

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Diploma exhibition pieces by Maria Lampitelli, Julia D McKenzie, Maysooun Homsi Touban and Kemi Awokiyesi (in April 2016)

The Course runs over 3 terms of 12 weeks and Classes run 1 day per week with a maximum of 7 students per Class.  Each term, your work will be marked by an expert Tutor and constructive feedback will be given to ensure you are progressing and pushing yourself and your jewellery designs forwards.

We understand that the Diploma is an investment both in time and money, so, we offer 3 flexible payment plans to help you along the way.

We are proud of the fact that our Diploma Course changes the lives of our Students and opens them up to a world of techniques, friendships and experiences.

We have spoken to some our former Diploma Students about their Diploma experience and how they have gotten on since they graduated.  This week we talk to Zoe Porter of Zoe Porter Jewellery and next week we will be hearing from George Galula of GV Jewellery and Linski Kilcourse of Linskiloolar Jewellery!

So Zoe, tell us a bit about how you started your jewellery making journey and what ultimately made you decide to do a diploma with LJS?

I started taking night classes with an incredible Danish jeweller in Wellington to try something new and quickly fell in love with silversmithing. It was a hobby that only developed when I went travelling around Europe for a year and realised how much I missed it. That’s when I started looking into diplomas in Europe and the U.K. and The London Jewellery School offered exactly what I was looking for.

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Zoe Porter Jewellery – Walnut Pendant

What was your favourite part of the diploma?

Learning so many new techniques and processes was great but the work experience I did with Just Castings, Hatton Garden really opened my eyes to a heap of possibilities I hadn’t realised when working with both silver and gold.

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Zoe Porter Jewellery – Pineapple Cufflinks

What was the biggest challenge for you during the diploma?

I had only worked with silver, gold and stones before the diploma, so the mixed media pieces were something I had difficulty with at first. It was however during the design of my final piece that I tried my hand at woodcarving for the first time and really enjoyed it!

What difference has doing the diploma made to your jewellery skills, designs and/ or business?

There were processes I knew nothing about, such as wax carving, that now play an integral part in my design process but one of the most helpful (and simplest) things I learnt was how to recycle silver and gold and make my own wire and sheet metal.

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Zoe Porter Jewellery – Molten Ring

What would you say to students thinking about doing a diploma with the London Jewellery School?

Just do it! The amount you’ll learn and take home from the course is great. Take notes – more than you think – and sit down and practice.

Don’t be scared to make mistakes, you can always melt it down and start over.

Where next for Zoe Porter Jewellery?

I’ve just launched my website and the response has been great. As a certified Fair Trade Gold user I think it’s really important to educate people on where their gold and silver is coming from and I’m hoping to visit Fair Trade mines in Sotrami, Peru, and help raise awareness.

For now, I’m just enjoying myself, working mostly on commissions and loving designing and making a number of engagement rings. They’re really special and personal pieces to be trusted with.

How can we find out more about you (website, Facebook, instagram?)

I sell online via my newly launched website – www.zoeporter.co.nz and I post regularly on Facebook and Instagram.

Thanks Zoe – good luck with your business and we are so thrilled to have played a small part in your jewellery making journey!

Our Diploma Classes are quick to fill up, so book now to avoid disappointment. There is currently availability for September intake 2016. For more details on Course dates and how to enroll, please visit the London Jewellery School website www.londonjewelleryschool.co.uk or call 0203 176 0546.

And due to popular demand we have loaded up the 2017 January and September dates onto our website for those of you who like to plan ahead!

Until next time,

Happy Making! x

Top jewellery exhibitions and events in London!

London is a very inspiring place for jewellers and we are lucky to have some annual events and exhibitions that help get the creative juices flowing! Here are some recommended events to put in your diary!

 

  1.    Goldsmiths Fair

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Source: http://www.goldsmithsfair.co.uk/about-goldsmiths-fair/

 

The prestigious Goldsmiths Fair is held in September/October each year at the grand Goldsmiths hall at St Paul’s. This two-week extravaganza is not to be missed, as it is a dazzling display of 100’s of independent designer-makers in the world of silver, gold and precious jewellery.

Find out more here: http://www.thegoldsmiths.co.uk/exhibitions-promotions/goldsmiths%27-fair/

  1.    IJL, International Jewellery London

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Source: http://www.jewellerylondon.com/Archive/exhibiting/thenewvenue/

 

Held in early September, this giant scale exhibition at London’s Earls Court promises to inspire, as the place to discover the latest trends, source new and exciting products, network and attend the industry’s leading seminar programme. Great for buying supplies but beware of overspending when bringing your credit card!

Check it out at – http://www.jewellerylondon.com/

 

  1.    Dazzle

A free exhibition open to the public which is taking place this year at the OXO tower. The jewellers themselves range from graduates to established artists. They are not there all the time but this one is not to be missed… http://www.dazzle-exhibitions.com/

 

  1.    Collect

We’re already looking forward to Collect in February 2017, the UK fair for contemporary objects which includes jewellery.  Presented by the Craft Council and taking place at the Saachi Gallery it’s sure to be a well curated exhibition

http://www.craftscouncil.org.uk/what-we-do/collect

 

  1.    V&A

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Source: http://www.ejal.com/project.php?projNo=39&catNo=5&nextNo=0

 

The Victoria and Albert Museum in central London is hailed by many to be the greatest museum of art and design and when it comes to jewellery it never fails to disappoint. With a full range of permanent and often temporary jewellery exhibitions, inspiration is offered in abundance.

See what’s currently on here – http://www.vam.ac.uk/.

 

  1. Craft Central Open Studios

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Source: https://twitter.com/craftcentraluk

 

Craft Central is a pioneering not-for-profit organisation dedicated to building a strong future for craft and design. Every year they hold open studios where members of the public can meet the jewellery and craft designer makers in their studios and take a look at their latest collections. Three of our tutors have studios here so pop along to the open studios to say hello!

For full details of the next open studios event please see – http://www.craftcentral.org.uk/madeinclerkenwell.

 

  1. Cockpit Arts

Cockpit Arts have two London studios and support craft practitioners with their business incubator service. They have two open studios a year where you can visit makers of many different crafts, including jewellery, and buy directly from them.

http://cockpitarts.com/shop-cockpit/open-studios/

 

  1.    London Fashion Week

Anyone who’s anyone in fashion can be seen strutting their stuff at London Fashion Week and although it is a trade only event, London Fashion Weekend is open to members of the public. Get your tickets and shop, get a goody bag and browse the catwalk to see what’s next in the world of fashion. For full details see their website –http://www.londonfashionweekend.co.uk/

 

  1.    LJS

Last but by no means least, we at LJS run events throughout the year including our diploma student exhibitions, suppliers event, expert talks and the (now) legendary London Jewellery School Christmas Party! To keep up to date with future events make sure you are subscribed to our email newsletter.   
Let us know what you think of the events you go to and share any that are in your local area with us via our instagram, twitter or facebook pages or in the comments below.

Author: Anna Campbell

 

LJG Guest Blogger - Anna Campbell of Campbell Hall Designs

Could you be our 2016 Jewellery Maker of the Year?

London-Jewellery-School-2016-jewelelry-maker-of-the-year-competition

We are so excited about launching our competition to find the London Jewellery School Maker of the Year 2016!  Taking part is a great chance to promote your work, get exposure and, of course, bag some fab prizes.

The competition is open to everyone – you don’t need to have taken a Class with us – you just need to love making and creating beautiful jewellery, and we are accepting entries from jewellers in the UK and internationally!

The competition will be judged on:

Design – we are looking for innovative and original designs that are all your own!

Technique – we are looking for excellent application of one or more jewellery making techniques!

Presentation – great photos and presentation of your work is essential for selling and creating a great impression.

 

How it works:

One entry only please – multiple posts on the competition Facebook Post will be deleted and your entry may be disqualified! And no links to your shops please – this is a design competition!

Simply post between 1-3 pictures of your selected piece of jewellery that has been handmade by you along with a comment about what the inspiration for the piece was and the title of your piece on our Facebook Competition thread that you can find here.

Your piece can be any design and made up of any material, the only requirement is that it has been made by you.

The deadline for applications is Sunday 21st August 2016.

The top 5 entries will be announced on 31st August and added to our website and promoted as the finalists by LJS on our blog and social media channels.

The winner will be announced on Friday 5th September 2016.

This competition is in no way affiliated or endorsed by Facebook.

 

The Prizes:

1st – £250 Voucher for LJS (which can be used on any Classes (face to face or online) + a fab selection of Tools for your jewellery making Toolkit
2nd – £100 voucher and a selection of Tools for your Toolkit
3rd – A signed copy of Jessica Rose’s Bead & Wire Fashion Jewellery Book.

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Competition Prize 02

The Judges:

The competition will be judged by a panel of LJS Tutors who are all professional and established jewellers.

If you have an queries or questions please contact us at karen@londonjewelleryschool.co.uk!

Good luck to all those who enter!