Diploma Exhibition Invitation – 29th September 2017

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You are cordially invited to the Diploma in Creative Jewellery Exhibition, but no need to RSVP, just come along for free! It’s a great opportunity to visit the school if you are thinking of taking a class with the added incentive of checking out what our most recent students have been making. Drinks and nibbles will also be in attendance. We will look forward to seeing you!

When: Friday 29th September 2017, 6.30-8pm

Where: London Jewellery School, Rear Ground Floor Studios, NEW HOUSE, 67-68 Hatton Garden, London EC1N 8JY

Great British Beach Clean –Friday 15th September

Today is the day to get to the beach and get your tidy on. A depressing 4 to 12 million metric tonnes of plastic were washed out to sea in 2010 and that was set to increase to double in 10 years, so we may be almost at that sad target now. Scientists still don’t know where 99% of this plastic ends up in the ocean or the extent of the impact on marine life. If these shocking facts aren’t an enticement enough to get yourself to the seaside and join in with the beach clean, here are some wearable products of beach-combing to tempt you.

Frankie rainbow

Recent Central Saint Martens Graduate Frankie Moughton-Small draws attention to the issue of ocean waste with her bold jewellery and head wear. This beautiful rainbow piece trips the plastic fantastic whilst reminding us of the perilous implications of our disposable lifestyles.

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Jeweller and London Jewellery School Tutor Melissa Hunt makes these detachable rings to feature seaglass and sea-smoothed broken plate.

So do a good deed and gather materials for your next creation to make the most of a trip to the coast.

 

Armour/Amore

Like many people I know I feel a bit unprotected, or just a bit wrong, if I forget to put on my metal of a morning. I prefer to assume people are staring at my earrings on the tube rather than the bit of avocado on my face from breakfast. If I could go full man in the iron mask for my commute I would(I wouldn’t, it would be very warm, but if I don’t mention Leonardo Di Caprio in some way I lose his sponsorship).

When speaking about the themes behind her work Jeweller Katerina Glyka has said ‘I decided to build a fortress to defend myself’ and some of her pieces definitely border upon weaponry.

Armour is defined as is a protective covering that is used to prevent damage from being inflicted to an object or individual. Within contemporary jewellery making this often more visual than practical.

Yet jewellers whose work strays into the realm of self-defence reference the traditional notion of armoury quite intentionally. These articulated rings by Rokus London and Shahrzad Aliyari elegantly draw the eye and defend the finger.

Rokus-ring

Rokus London

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Shahrzad Aliyari

Chain mail making is a great lesson in perfecting soldering skills and a wonderful way to test your patience. I had a go at connecting a ring to a bracelet with chain mail and was grateful to be making a small panel rather than a full battle shirt.

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Lisa Walker

However it was still markedly less successful than this powerful yet understated use of chain mail by my New Zealand favourite Lisa Walker.

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Jane Bowler

London-based Jane Bowler makes super-fun geometric articulated and plated holographic pieces and takes them to another level with her bridal wear. Perfect for those who want to feel like a goddess going into battle on your special day.

jane bowler bridal

There are amazing collections of armour living at The Wallace Collection in London and The Royal Armouries in Leeds. The V&A also has some impressive pieces (don’t forget to pop into the jewellery gallery for a treat too) and there may be some lurking in a corner if you find yourself in any country houses.

When attacking any project its victory hinges on having the skills as well as a winning plan of attack. Shield yourself from disappointment and conquer a new technique on one of our courses.

Lil Adams is the London Jewellery School Sundays Studio Manager. Lil studied Fine Art in Leeds and lived in Melbourne before travelling about and settling in London. She now works at the British Architectural Library and enjoys making jewellery with found and natural objects and is shamelessly addicted to casting.

 

 

 

Birthstone for September-Sapphire-Barnacles of Bling

Sapphire is the birthstone for September and is famous for its deep blue colour, caused by the presence of iron and titanium. But these stones can be found in almost every colour and when non-blueness occurs they are termed ‘fancy’. A nice compliment, although it makes the gemstones less valuable.

It’s tough to write about sapphires without mentioning ‘that ring’ (you know, the one that now belongs to Kate). However, I intend to sidestep it to not seem like a big fawning royalist and just say it’s iconic. (Iconic enough that my American brother-in-law thought it might be mandatory to propose to British ladies with a blue-stoned ring. He didn’t, but I like the story.)

If you are born in September you are graced with the qualities of tolerance and wisdom. You are also inspirational. So here is Elizabeth Taylor in a swimming pool wearing her diamonds and sapphires. She has also brought along her trusty parrot. Liz was not a September baby, but let’s pretend so that I can justify the use of this great image.

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If sapphires match your eyes like this don’t be too worried if it’s not your birthstone.

The thing is with these gemstones, they do lend themselves to be used in significant pieces of jewellery on account of their value. So they may be better for inspiration rather than aspiration for now.

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Even this little skeleton merperson brooch by Lydia Courteille has an indicator of once being a marine monarch in its dinky crown.

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Yet jeweller Polly Wales has left no stone un-cast in these two examples of her signature technique of casting stones in place rather than setting. The skull encrusted with sapphires of different sizes could be the remnants of an underwater pirating accident producing a facial of sparkling barnacles of bling.

Maybe Leo wouldn’t have come to such a sticky end if (the other) Kate’s blue diamond necklace had been a sapphire instead. That ‘heart of the ocean’ could have gone for a light dip in a pool with a parrot rather than being brutally chucked into the waves by old lady Kate.

Anyhow, all’s well that ends well. And even if it’s not your birthday, don’t get the blues. Give yourself a present and join us on one of our stone setting courses and learn techniques to bring your own inspiration to the nation.

Stone setting in silver (2 days)

Intermediate stone setting

Channel setting in silver

Collet setting in silver

Grain setting in silver

Stone setting in metal clay

Introduction to gemstones (evening taster class)

Lil Adams is the London Jewellery School Sundays Studio Manager. Lil studied Fine Art in Leeds and lived in Melbourne before travelling about and settling in London. She now works at the British Architectural Library and enjoys making jewellery with found and natural objects and is shamelessly addicted to casting.

Want to become a jeweller but can’t face the cost of a 3 year degree? Consider this option

It’s hard to believe now but when I went to university there was no such thing as tuition fees. I *whispers it* actually got a full grant! A grant, for those who are too young to have heard of the concept, was an annual payment from the government to attend university. It wasn’t enough to live on but it was a start!

The world of education has unfortunately changed since then and there are more things to consider than when I went to university. If you’ve just got your A-level results, have had a break before thinking about university or are looking to a second or third career you might be trying to decide whether university study will be worth it. Perhaps you still want to learn more but can’t quite face three years of full-time study. Or maybe you would love to take three years out but life is getting in the way, not to mention worries over the debt that you would finish with.

Well, we have another option for you. Our Diploma in Creative Jewellery.

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Some of the things you’ll learn to make on the Diploma in Creative Jewellery

What is the Diploma in Creative Jewellery?

A one year course you attend at our central London studios one day per week (10-5pm). On this very practical course you will learn lots of different types of jewellery making techniques and we take you through from beginner to advanced level. The skills you’ll learn include silversmithing, beading, perspex, silver clay, enamelling, polymer clay, wax carving, wire work, resin and more. And don’t worry if you don’t know what all of these are; you will! 

Our current and previous Diploma students tend to be working or looking after family alongside taking the course, putting less of a strain on their lives and finances. 

 

Do I need jewellery making experience?

No! All the jewellery techniques are taught from beginners level. If you do have some experience with any of the techniques then that’s good because you will get to practice. If not it doesn’t matter, you will be taken through everything step by step by our expert tutors.

 

How am I assessed?

Your work is marked once a term. You are provided with all the criteria for marking on the first day of the course so you will know what you need to do to get a distinction.

Along with your marked coursework you are also assessed on a jewellery collection you create for a final exhibition. This is an opportunity for you to invite friends and family to see what you have achieved, as well as being the day you are awarded your diploma certificate!

 

How am I supported?

We want to ensure that all students get individual attention and feedback to learn effectively so there are no more than seven students on the course.

As well as your expert tutors, you will also be assigned a mentor (if you join our September Sunday group I’ll be your mentor!). Your mentor is one of our experienced tutors who also runs their own jewellery business. You will be able to email her anytime you have a question and you will also meet with her once a term for marking and discussion about your progress on the course.

On the day you are at the studios the studio manager will also be able to help with queries you have.

 

Is it just women that take the course?
No! Many students are but we had one diploma group where the men outnumbered the women!

 

Am I too old to take the course?
No! Students at the London Jewellery School must be sixteen or over but there’s no upper limit! This course attracts a diverse group of people including school leavers, people on a gap year, people wishing to retrain for a second or third career, people taking the course purely for their own development and interest, retired people and more! All you need is a desire to create, learn and practice.

 

What can I do at the end of the course?

Most of our students go on to start their own successful jewellery businesses (you do learn jewellery business and jewellery photography as part of the course). By the end of the course you will have a good idea of which type of jewellery making you like best and will be able to specialise.

We also run an Advanced Diploma in Jewellery and a Diploma in Silver Jewellery if you would like to study further. 

 

Is the course accredited?

The course is assessed internally and is not affiliated with external examining bodies. It is well regarded in the industry and forms a great kickstart to your career in the jewellery industry. We are happy to act as a reference for any relevant job applications.

 

When is the next intake for the course?
We start the course twice a year, with the next intake next month, in September.

There is still time to apply for our September Sunday group.

 

What does the cost of the course include?
The cost of the course includes your tuition, mentoring and the vast majority of materials.

 

Do I need to buy tools?
All the tools you need will be provided for you to use during your workshops. We recommend you wait until you start the course to get advice from tutors about the tools you might like to purchase to use at home.

 

Can I pay the course fee in installments?
Yes! We have a few different installment options which you can see on our website.

 

Where can I find out more about the Diploma course?

Have a look on our website for a detailed breakdown of the course content or give us a call if you have questions, 0203 176 0546. We’re open 7 days a week!

http://www.londonjewelleryschool.co.uk/jewellery-diploma/diploma-in-creative-jewellery/

 

Can I visit the studios?
You are welcome to visit the studios to talk to the studios manager and see our facilities. It is worth calling in advance to let us know that you will be coming in. Our number is 0203 176 0546

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Power of Flowers – flowers in jewellery design

By definition the flower power of the late sixties and seventies was about non-violent protest and the use of flowers in this way became a symbol of a peaceful approach.

Flowers are often seen in a whimsical light, not implying strength. However their omnipresence in fashion indicates that these natural beauties are a force to be reckoned with. They may appear small on their own but massed together they have real power.

This season there is no room for wallflowers or shrinking violets in our florals. Loewe models we’re sporting bold leather lily cuffs in a range of colours.

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Delpozo had literal armfuls of blooms on lightweight gloves (a big statement but still ‘armless fun for wearability).

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Delpozo model getting an earful from these artificial green blooms

Many of my most admired jewellers have a flowery muse. Christopher Thompson-Royds with his flattened, hand painted pieces on precious metals is enough to make you dust off your childhood flower pressing skills and practice some dainty watercolours. The kinetic delights of Victoria Walker are also inspired by natural forms and happily mirror the movements of plants and flowers.

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Floral themes are here to stay and are commanding our attention.

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Heng Lee creates these pixelated embroidery in silver that appear like florals of the future.

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Rosa Pietschs’ laser cut nouveau neckpiece has a chunky clout but keeps a delicate visual.

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Slawa Tchorzewska  is here to take you on a walk on the wild side with these organic sproutings.

Five faves for finding flowers in the big smoke

St James’s Park-a trundle around the grounds of one of London’s free public garden can blow out the cobwebs and let in some colourful ideas this summer.

Kew– Kew has amazing architecture, plants, flowers and a high walk to recommend it.

Barbican conservatory-for the all-weather plant lover. These brutally beautiful surroundings never fail to disappoint. Open Sundays 12-5pm. Free.

Chelsea Physic Garden, opening times vary with some late hours in the summer. This often hidden treasure is ticketed treat.

Tell us what ideas and projects do you have blossoming right now?

And if you are looking for a class to help nip your ideas in the bud take a look at our website.

Lil Adams is the London Jewellery School Sundays Studio Manager. Lil studied Fine Art in Leeds and lived in Melbourne before travelling about and settling in London. She now works at the British Architectural Library and enjoys making jewellery with found and natural objects and is shamelessly addicted to casting.

August Birthstones-Spin Spin Spinel

Well, August child, not much to live up to here, but you are the best person anyone will ever know!

Your birthstones are Peridot, Sardonyx, Spinel, so you are spoilt in this area as well as having a splendid personality. Peridot will protect you from evil with its greeny magic and bring you good fortune. Spinel can masquerade as Ruby (which can only be a good thing). In fact, the Black Prince’s Ruby that dominates the front of the Crown, of the Crown Jewels fame, is a sneaky little (or not so little) Spinel (it weighs 34g). And Saydonyx with its layered formation, which is traditionally crafted into cameos could be used to capture your no doubt delightful profile.

Only the most fabulous of jewels could be appropriate for you August lion kings and queens. Go wild with the possibilities of summer colour as here with Solange Azagury’s marvellously fruity ring brings us an opal sandwich with spinel bread.

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Lil Adams is the London Jewellery School Sundays Studio Manager. Lil studied Fine Art in Leeds and lived in Melbourne before travelling about and settling in London. She now works at the British Architectural Library and enjoys making jewellery with found and natural objects and is shamelessly addicted to casting.

Who needs beads? The (w)hole of civilisation

It is National Beading Week so we have been taking a look at how beads have been used in contemporary jewellery designs

A bead can be anything threadable. The first pieces of jewellery were beads made from shells, while the trading of beads was one of the first forms of currency leading to the development of language. Oh yeah and they are pretty too.

It’s worth keeping your beady eye on the graduates spilling out of this year’s degree shows. They are fresh and dynamic and completely varied. Some of the bright young things of Central Saint Martins have favoured using beads this year and are creating some great examples of the potential for striking results that can be achieved. Rosanna Batt uses delicate threads of shimmering beads to trace the outlines of the body to create garments that challenge traditional ideas of function in clothing and jewellery as decoration.

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Rosanna Batt

Bead counting toys have been a traditional sight in the doctor or dentist waiting room aiding the development of fine motor skills in children. Also used as the inspiration for Dani Lane’s Abacus Maximus rings, a delight for any kidult stuck in a dull meeting.

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Dani Lane

Teri Howes takes simple bead threading to another level with her knitted and crochet fine jewellery pieces.

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Terri Howes

The tiny beads on Just Rocks and Coral’s yellow waterfall necklace work as a team to make for a bold statement and a cool cascade of colour for the summer.

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Just rocks and coral

Words can’t explain the staggering potential of the humble concept of these items of adornment, but it may be thanks to them that we can use language to attempt it.

Take a look at this video by our founder/director Jessica Rose explaining a simple and effective way of making a quartz crystal bead necklace that can be used for any type of bead.

Inspired? Take a look at our beading classes run at our London studios and our free online course with Jewellery School Online

 

 

 

Sac magique! – Bumbags to brighten your summer trading

So the summer is here and if you are thinking about taking the product of your jewellery making out and about to spread their joys to the punters at markets you had better get organised about it. Assuming that you have the nitty gritty sorted I have a top tip for a hands-free fun time as you vend.

Get yourself a great bumbag!

Earlier in the year I invested in a fabulous yellow number from Mika Bon Bon, with the excuse of travelling. Mr.Bum has the odd night out as well, and generally delights all that he meets. Others have found that these endearing characters deserve a name too, like jet setting jeweller Akiko Ban aka Mystic Forms. Her metallic companion Jeff Goldbum is often by her side as she models her own bold and bright jewels in various exotic locations.

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Mika Bon Bon

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Mysticforms

 

 

 

 

 

 

 

 

 

 

 

Meanwhile, Brighton based Beksie’s boutique is rustling up spangly, tassled, themed bum bags that equip you for wild festival times or brighten any hall or field you are setting up your stand in.

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Beksies Boutique

And not to put the trusty market traders’ pouch in the shadows, these practical belts can be customised for your brand or adorned with your own patch plethora or simple brooch. Needless to say, once you go fanny pack you’ll never go back.

Do tell us your tips for trading at fairs and markets.

Lil Adams is the London Jewellery School Sundays Studio Manager. Lil studied Fine Art in Leeds and lived in Melbourne before travelling about and settling in London. She now works at the British Architectural Library and enjoys making jewellery with found and natural objects and is shamelessly addicted to casting.

You’re invited to the free Hatton Garden Festival this weekend!

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As you may know, our teaching studios are based in the heart of Hatton Garden which is an area famous for being London’s jewellery quarter and the home of the UK’s diamond market. We are excited to be a part of the Hatton Garden Festival this weekend, Friday 21st July and Saturday 22nd July 2017.

We will have a stall in the street on Saturday 22nd July with some demonstrations as well as jewellery making kits and class samples available to buy so please pop over and see us!

Here’s what else is going on!

Friday July 21st
12:00 – 13:00
Festival launches
Live DJ

13:00 – 13:20
Opening performance from opera singer Deborah Holmes

13:20 – 14:00
Married in Hatton Garden performance
Catch the bouquet competition with prizes

14:00 – 17:30
Live DJ

17:30 – 18:00
Modern Day Classics – Tanya Seifert

Saturday July 22nd
12:00 – 13:00
Live DJ

13:00 – 13:20
Acoustic Country Music – Belle & The Busker

13:20 – 14:00
Married in Hatton Garden performance
Catch the bouquet competition with prizes

14:00 – 17:30
Live DJ

16:00
Diamond Hunt and Raffle prize winners announced

17:30 – 18:00
Motown & Soul Classics – Abigail Scott

On top of all of the amazing live entertainment you will get the opportunity to experience talks about jewellery trends, design and jewellery making workshops, free engravings, prosecco receptions, an on-street croquet pitch and garden party and much more…

Location: Hatton Garden, London EC1N 8JY. The nearest tube stations are Farringdon and Chancery Lane. We’ll see you there!