Category Archives: Jewellery making

Advanced Jewellery Diploma review – back to school again!

Back in September 2015, after a year of jewellery making in an evening class, I took the plunge and decided to use up a good chunk of annual leave on a two-week Advanced Diploma in Creative Jewellery Course at London Jewellery School.

Real school wasn’t easy peasy for me. As it turns out, I am a stealth dyslexic who muddled through, mildly stressed-out, until a lecturer found me out through the help of a particularly nonsensical essay. So I was slightly nervous rather than excited going into my two-week staycation learning holiday. I already knew I really enjoyed making jewellery, but had been making my first pieces in a very excited, thankful-it-was-going-well kind of way and was a little undisciplined when it came to perfecting techniques. I still work a little in this manner, cracking on with each new idea, as it’s what I enjoy about making. The structure of this course, with specific days for designing and the various methods of making (and focussing on the different techniques within this), really helped to control my natural inclination to work in a scattered way. Although this course was ideal to rein in and consolidate ideas, I feel it would be equally beneficial to students approaching these weeks looking for creative inspiration.

Having whole days devoted to making was such a treat, I felt like a proper jeweller. All the tutors are practising, exhibiting and selling their work, so the conversations in the classes were often helpful beyond the subject being covered and I felt genuinely encouraged by people who knew their onions.

Speaking of onions… One of the areas where I had little formal training and had practiced at home the least was wax carving and so in that way that it felt that it was stretching me to learn – these two days of designing and making were a little like going back to school. I love the products (or should I say produce) of these days. These bad boys are perfect for me, they are heavy, ridiculous and pun-tastic. The expertise of the tutors was there to make the heavy and ridiculous aspects non-essential qualities of this design. This advice always assumes that you may want to start your own business; these pieces could be made lighter and more wearable and it considers the cost of casting as well as the customer experience of the piece.  I also could not have managed to create such spheres without the patient help of an expert.

Onions

Another thing that attracted me to sign up for this particular course was the prospect of the work placement, usually a week long, that staff will help you to arrange within an area that is of interest to you. I did mine with JC (Just Castings in Hatton Garden) and it was an invaluable insight into the process of casting, CAD design, plating, 3D printing and finishing jewellery to professional standards –but this is another story in itself. I wear the silver ‘haribo’ ring I made there every day. Along with many other pieces from my happy little jewellery holiday.

I would recommend (and have recommended) treating yourself to this course, I signed up after a quick visit to the studios but there are taster classes and you can visit on an exhibition day (next one is 7th July 6.30-8pm, no need to book). Essentially I left the course feeling like I had achieved real goals I didn’t even realise I had at the beginning and with a certificate to prove it!  It also led to the potential to sell my work, something that I have mostly kept in my back pocket until the opportunity to sell through an immersive art show last December presented itself.

Polishing up your potential

The small class sizes at the London Jewellery School means that you get a lot of expert tuition in the classes, making it possible to cover a range of techniques in these weeks. The course description gives a really good idea of what you will learn but here is a quick run through of my experience on the course.

The course starts with a design day, a great chance to think about what you want to make and ways to go about making pieces for the projects ahead. As we were a very small group, we also had time to start experimenting with resin.

Day two was for learning cold connections, truly riveting stuff! This involves looking at ways to join materials without soldering, a great technique for moving pieces or mixed media. I made a decorative hinge that I later used for an oyster card holder, various animal shapes as testers to hold metal pieces together, a technique I later used on a Perspex and sea glass silver ring.

Fold forming was next, a really fun and loud technique for creating shapes and textures through excessive hammering. We made silver origami frogs amongst other experiments (I attempted my usual crane but a simpler design that another student knew was more effective), seen here with the squashed frog necklace. When fold forming goes wrong it can still be pretty interesting (I love this piece but would recommend a simple boat as a fail-safe alternative.)

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The two days of mixed media jewellery making were a total dream of experimenting and resolving ideas through different techniques. Making a sea glass, silver and perspex ring with rivets, a wooden neckpiece with a tube of multi-coloured macramé and perspex fastenings to hang from, some ‘Banana handbag’ earrings and a spirit level cuff. So not a bad haul at all. This was so useful as a chance to explore different materials and how to work with them. Great for exploring colour, shape and using bits and pieces you may not have considered using before.

The two days of stone setting were honing specific techniques that could be employed in any piece after the course and also resulted in 3 wearable items. Each of these techniques was challenging in its own way and I felt that each was improving my making skills in a recognisable way. These were channel, collet and claw settings and pictures of these 3 pieces were posted on the Schools’ Instagram account, a small gesture that was really encouraging, as probably only friends would have seen my work before.

Bean

Bean ring (magic beans for growth)

The last day of the taught course was recycling silver. I had done a little bit of silver recycling before so didn’t expect that going through the process in a structured manner would shed that much light on a technique. However, melting my silver scraps in the crucible on this day produced a really fun ‘Bean’ ring, a product of the natural shape and texture that can be achieved with this technique. I had already made some cast vegetable jewellery so it fits into my little collection nicely and its smoothness makes it distinctly more wearable than my Romanesco Cauliflower ring. One of the tutors recently reminded me to follow up the ‘food jewellery’ and get selling my work. This really illustrated to me how much they genuinely care about nurturing any ambitions you might be trying to shy away from and keep you making jewellery! Magic beans indeed!

Interested in finding out more about the Advanced Diploma in Creative Jewellery? Our next intake is Monday 4th September 2017. Take a look at our website for more information. Have questions? Give us a call on 0203 176 0546

Lil Adams is the London Jewellery School Sundays Studio Manager. Lil studied Fine Art in Leeds and lived in Melbourne before travelling about and settling in London. She now works at the British Architectural Library and enjoys making jewellery with found and natural objects and is shamelessly addicted to casting.

 

 

Summer sale – 25% off day and evening classes!

The weather may be changeable but our hot hot hot summer sale is here! Get 25% off day and evening classes!

You can book any available class in 2017 and can book on as many eligible classes as you want! But hurry, places go quickly so make sure you book early to get the class and date you want.

Day classes

You can choose from any of these day classes with available places

Beading and wire

Glass and enamel

Metal clay

Silver jewellery

Resin and perspex

Fashion and design

Wax carving

Polymer clay

Jewellery business

 

Evening classes

Or any of these evening classes!

 

How to book

You can book online or over the phone (0203 176 0546) with discount code 04061701

 

Which class have you had your eye on? Now’s the perfect time to book your place!

 

The pesky terms and conditions

25% discount is available on day classes and evening classes

Discount available on eligible classes while places are available or until 30th June 2017

Discount can be used as many times as you like!

Discount cannot be used on taster classes, certification classes, diploma courses, products from our shop, online or distance courses

Please check class dates carefully before booking as we regret we cannot give refunds or transfers

 

Smog Diamonds – World Environment Day 5th June

How jewellery will save the planet!

What a relief. I was wondering who would do it. (All my hopes were on Leonardo Di Caprio)

Although jewellery is often inspired by the natural world there is often little opportunity to give back to mother earth. Last year Dutch artist Daan Roosegaarde invented a way of creating jewellery whilst cleansing the skies. His towers in Beijing were designed to scoop up polluted air, filter out the filth and release it back into the city up to 75% cleaner. The carbon from the smog is then transformed by pressure into diamonds in under half an hour.

Roosegaarde doesn’t like waste, so fingers crossed for our portable diamond producing face masks to pound the London pavements in style, as I am fairly sure there might be some spare smog round these parts.

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Ideas for saving the world with jewellery are always welcome. Or, for now, save your pocket in our Summer Sale with 25% off evening and day courses using code 04061701 when booking online or over the phone (0203 176 0546).

Lil Adams is the London Jewellery School Sundays Studio Manager. Lil studied Fine Art in Leeds and lived in Melbourne before travelling about and settling in London. She now works at the British Architectural Library and enjoys making jewellery with found and natural objects and is shamelessly addicted to casting.

 

 

Born to Rock! – Birthstones for June

June is just around the corner so our Sunday Studios manager Lil has been looking at some birthstone inspiration!

If you are born in June apparently you are romantic and curious. Even if you don’t believe everything the internet tells you about yourself, it is interesting to look at the birthstones for next month.

June babies get the choice of Moonstone, Alexandrite or Pearl and each presents its own type of mystery and romance.

Moonstone was once believed to be moonlight captured in solid form by ancient civilisations. Alexandrite, is capricious – changing colour from emerald green in the day to ruby red at night while Pearl is a naturally forming rarity from the depths of the sea.

For some reason I could never quite get on board with the appeal of a pearl until now. Pearl obviously lends itself so well to dainty pieces and bridal jewellery that I had dismissed them as a bit twee for me. However the following jewellers have managed to convince me of this stone’s potential to rock and a new appreciation for the traditional use of these calcium carbonate layered spheres. Metalurj is probably my favourite jeweller for unusual and interesting ways to set stones.

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Here the juxtaposition of the smoothness of a pearl next to oxidised silver means that these pieces have never been further from prissy. Another two designs that steer away from conventional trappings are this monochrome fishing net style ring and elaborate octopus hand piece-both cleverly referencing the pearl’s marine origin.

Sevan Bicakci 

Why not discover the potential of your birthstone and join us on one of our classes in Stone Setting or our Introduction to Gemstones classes? Or, if your birthday is around the corner, you might want to treat your curious side to a Pearl Knotting class.

Lil Adams is the London Jewellery School Sundays Studio Manager. Lil studied Fine Art in Leeds and lived in Melbourne before travelling about and settling in London. She now works at the British Architectural Library and enjoys making jewellery with found and natural objects and is shamelessly addicted to casting.

 

What can you learn in an evening?

Here at the London Jewellery School, we have classes of different lengths but which do you choose if you’d just like to try out a new technique? Tutor Anna Campbell gives you the lowdown on our taster classes

 

What are taster classes?
Our taster classes are short evening classes designed to get you started with a new technique. What’s great is that by the end of the class you will have made at least one piece of jewellery and will have a good idea about whether you would like to take a longer or more advanced class in that technique.

 

When are taster classes run?
Our taster classes are run on weekday evenings from 6.30-9pm so are perfect for those who work in London to attend. You can see the complete list of all our taster classes here along with the scheduled dates for the year.

 

What can I learn?

Our expert tutors teach taster classes in a wide variety of subjects including

Beading

Cocktail rings

Silver clay

Soutache

Perspex jewellery

Make a fascinator

Hand stamped silver

Silver stacked rings

Wax carving

Polymer clay

Introduction to gemstones

 

And more!

 

Here are a few of the classes that are coming up

 

Wax carving

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Next available date: Tuesday 23rd May 6.30-9pm

Learn to make a simple but beautiful wax carved ring in just one evening! And your ring will be totally unique!

This class is a great introduction to wax carving and is often taken before doing our Beginners Wax Carving course and is a great one to do with friends as a fun evening out.  

Throughout the evening our experienced tutor will guide you through the process of sizing, shaping and carving the wax using hand tools and heat, adding a texture to your ring if you like.

By the end of the class you will have created your unique wax carved ring which we will then arrange to be cast into your choice of metal (silver, copper or bronze), and it will be completely polished and finished for you ready to wear. Your ring will be posted out to you within 3 weeks of the class or you are welcome to collect it from the School. Best of all this is included in the cost of the course!

 

Perspex taster class

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Next available date: Wednesday 24th May 6.30-9pm

Perspex is a hugely versatile material that can be used for small subtle piece of jewellery as well as large fashion pieces.

Perspex is a brand of acrylic plastic that is often used as a substitute for glass. It comes in a rigid sheet and can be sawn or laser cut and bent using heat. It is available in a wide variety of colours and finishes and there’s almost no limit to what you can make. Also, with a little thought and preparation perspex jewellery can be made from home as it needs minimal equipment.

Techniques covered in this class include:

  • Sawing and cutting perspex from a template
  • Filing, sanding and polishing
  • Drilling
  • Attaching stones  

 

Cocktail rings taster class

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You can find a range of ring projects in this tutorial – and make one to match every outfit.

Next available date: Thursday 25th May 6.30-9pm

Come along for a few hours make a beautiful cocktail ring (or two).This is a fun-filled, creative class (non-creatives are very welcome!)

Throughout the evening our expert tutor will guide you through the full process of making your own ring from scratch. We use a mixture of colourful beads combined with silver or gold-plated wire to make your bling statement ring.

Once you know how to make them you will have lots of orders pouring in from friends and family for their very own rings – you have been warned! 

 

Silver clay taster class

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Next available date: Wednesday 7th June 6.30-9pm

Learn to make your own personalised silver pendant in just one evening…

You will be using a great material called metal clay. Metal clay is a clay-based substance containing millions of tiny silver particles when you fire the clay under a torch or in a kiln all of the clay burns away and you are left with a solid silver piece – it’s like magic!

This is an excellent class to take if you have limited space at home and would like to make silver jewellery.

An expert tutor will guide you through the whole process from making the piece, through to firing and polishing.

Absolutely no experience is necessary as this is a beginners level class and complete beginners are welcome.

What would you like to make in a taster class? Let us know in the comments below

Introducing our latest silver jewellery classes

As you may have noticed, our tutors have been working on some exciting new additions to the courses we offer at LJS for both beginners and more advanced practitioners and we’d love to invite you to book a place!

Here are our newest silver jewellery classes (click on the links for more detailed information)

One day classes

Silver stacked bangles

Intermediate level – learn how to shape, texture and solder silver wire into stacking bangles. Students usually make 2-3 bangles

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Make your own silver findings

Advanced level – Learning to craft your own findings such as ear wires, clasps, and brooch pins allows you to customise your designs and add a truly handcrafted and bespoke element to your work. (We recommend that all students complete the soldering masterclass before taking this class or that you are confident working with the torch. As this is an advanced silver class and we recommend that students are familiar with silver jewellery making and are comfortable using hand tools in a workshop environment)

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Granulation and fusing

Granulation is the technique of creating numerous tiny spheres of metal with which to decorate your jewellery. They are not soldered into place, but are instead “fused” with the surface and to each other. Learn this technique in our one day class.

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Channel setting in silver

Advanced level – Learn to set stones in a ‘channel setting’ – a setting commonly used to set multiple stones along a strip of material, either across a pendant or around a ring (to do this course you must have completed our two day stone setting course and soldering masterclass or equivalent elsewhere)

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Collet setting in silver

Advanced level – Develop your stone setting abilities in this class and learn how to create a collet setting (to do this course you must have completed our two day stone setting course and soldering masterclass or equivalent elsewhere)

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Grain setting in silver

Advanced level – Learn to set faceted stones using the ‘Grain’ setting technique. The class will really bring on your stone setting ability and add a new setting technique to your repertoire (to do this course you must have completed our two day stone setting course and soldering masterclass or equivalent elsewhere)

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Evening and taster classes

For those of you that are working in London during the day, check out our new silver evening and taster classes

Stacked silver rings taster (1 evening)

Learn to make four individual silver rings in just one evening!

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Soldering and stone setting in silver (6 weeks)

This 6-week evening class (run once a week) is perfect if you’ve attended beginners silver jewellery and you want to move onto the next step. Learn more advanced soldering alongside stone setting techniques including bezel setting, tube setting and gypsy(flush) setting

soldering-stone-setting-evening-class-london-jewellery-schoolClick on the links to find more and to book a place.

We love ideas for new classes so what would you like to learn? Let us know in the comments below

New jewellery classes and revamped favourites

As you may have noticed, our tutors have been working on some exciting new additions to the courses we offer at LJS for both beginners and more advanced practitioners and we’d love to invite you to book a place!

These new classes include:

Silver jewellery

Silver stacked bangles

Make your own silver findings

Granulation and fusing

Channel setting in silver

Collet setting in silver

Grain setting in silver

Silver clay jewellery

Make a metal clay charm bracelet

Evening and taster classes

For those of you that are working in London during the day, check out our new evening and taster classes:

Stacked silver rings taster (1 evening)

Stone setting 10 week evening class (10 weeks)

Soldering and stone setting in silver (5 weeks)

Perspex jewellery taster (1 evening)

Mixed media jewellery (5 weeks)

Guided workshops

Based on feedback from you, we also now have silver and metal clay guided workshops. These are designed for those with some experience who would like to work on their own projects using our facilities with an expert tutor on hand to answer any questions.

Silver guided workshop

Metal clay guided workshop

Phew! Lots of exciting new courses to tempt you with! But we haven’t forgotten some of our old favourite classes. Tutor Helen Walls has designed all new projects for our beading classes.

Beginners beading

Designed for complete beginners or those who would like to practice and develop their skills.

Earring project

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In this project you will learn how to

  • Make your own bespoke earring wires
  • Use bead caps
  • Make neat and even loops in wire
  • Open and close jump rings

Stacking bangles


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In this project you will learn how to

  • Make your own bangles from wire
  • Create your own finish on the bangles including a hammered texture
  • Add charms and beads to your bangle

Necklace with decorative components

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You will learn how to

  • Add beads and charms using wire and jump rings
  • Add chain

Double-row necklace

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You will learn how to

  • Use stringing materials e.g. tiger tail
  • Effectively design your piece so it hangs well
  • Use crimps
  • Professionally finish your pieces

Intermediate beading

Designed for those that have attended beginners beading or those with some beading experience, you will learn a wide variety of more advanced skills on this one day class

Cluster cocktail ring and single stone cocktail ring

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You will learn how to

  • Make and size your own ring with wire
  • Wire wrap beads to decorate your ring
  • Make a wire ring with a focal bead

Tassel earrings

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You will learn how to

  • Make your own bespoke earring wires
  • Create a rosary link
  • Add chain to make a tassel

Bracelet

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You will learn how to

  • Design your own bracelet with multiple components
  • Create a rosary link chain of beads
  • Link elements with wire and jump rings

T bar and toggle clasp

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You will learn how to

  • Make your own bespoke findings to match your jewellery designs
  • Make an effective toggle clasp out of wire

Lariat necklace

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You will learn how to

  • Make a lariat clasp in your choice of shape
  • Make a cluster bead pendant
  • Attach chain

Advanced beading

Designed for those that are ready to take their skills to the next level, some more advanced and complex skills and the opportunity to work on your own mixed media project with tutor support

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You will learn how to

  • Weave beads and chain to make a cuff
  • Design your own mixed media variation including cord, buttons etc
  • The same techniques can be used to make other types of jewellery including earrings

Structured earrings

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You will learn how to

  • Make your own wire frames
  • Add beaded elements
  • Use these design to make a pendant, necklace, lariat etc

Freestyle project

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You will learn how to

  • Use the techniques you have learnt to design a statement piece with tutor support
  • Experiment with mixed media including wire, beads, chain, buttons, cord, fringing, ribbon etc

Hopefully we have something new to tempt you to come and visit us in our new studio at Hatton Garden! If you have any ideas for courses you would like to see please do let us know. We’d love to hear from you in the comments below.

Author: Anna Campbell

LJG Guest Blogger - Anna Campbell of Campbell Hall Designs

Adventures in wax carving – Week 3!

So if you have been following my weekly diary of my 5 week Wax Carving Evening Class at the London Jewellery School you will know that after week 1 and week 2 we are getting close to finishing our first projects and spent most of week 3 refining and finishing our designs so our waxes were as perfect as possible before being cast!  Apparently it takes 3 times as long to fix any imperfections in silver as it does in wax so tutor, Sophie Arnott, spent a lot of time this week checking our waxes and helping us make those minor improvements that would save us precious time later!

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There were lots of busy hands this week! 

In the case of my design – I had to burr out some of the wax underneath to reduce the weight of the final piece.  That was pretty hairy as I was using a burr in a pendant motor.  Now whilst I have used a pendant motor many times before over the years, I have only ever scooped out the underside of waxes by hand (and I typically use burrs in a pin vice and do by hand too) so using burrs in a motor was a new experience for me and it was very easy to slip!  I was worried about burring out too much wax but Sophie assured me you can usually take away lots more than you think.

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My 1st Finished Wax

Once I had finished burring out the wax it was time to refine the finish of the wax so it was nice and smooth.  To do this we used many grades of sandpaper (haven’t met anyone who enjoys sanding yet and this class is no exception but it is necessary!) to smooth the surface and remove any scratches or imperfections.  I then finished off the surface with steel wool for a really nice smooth finish.  Finally, as I had a few curls of wax left on my piece that I couldn’t quite reach with the sandpaper or steel wool I wafted my piece over a flame which melted the excess and left a lovely smooth finish!  It is easy to overdo it and you do need to watch that you don’t melt your piece (or burn your fingers) but boy does it make a difference!

And as promised, here are some shots of my fellow students amazing waxes!

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Aren’t their designs stunning!?  Quite extraordinary that 7 people taking the same course are using the techniques learned in such different ways!  I just can’t wait to see what everybody does for their second project!

Until next time!

Author: Karen Young

London Jewellery School Blog_Karen Young Bio

Behind the scenes at Create and Craft TV

Metal clay tutor Anna Campbell made her live TV debut for the London Jewellery School on Create and Craft TV last week. She gives us a behind the scenes look at what goes into making the show

 

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Earlier this year our founder and director Jessica Rose appeared for the first time on the shopping channel Create and Craft TV, showing a metal clay starter kit in action. It was very popular and Jess and the Create and Craft team decided to bring more London Jewellery School products and online courses to the channel. It was decided to continue the focus on metal clay. In January this year I had filmed the ‘torch fired stone setting in silver clay’ for Jewellery School Online so a stone setting kit was put together, along with the online course, to sell on the shows. Jess asked me if I would like to do the live TV demos and, of course, I said yes!

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Screen tests and samples

There’s a lot of work that goes into preparing to go on live TV. Firstly, I needed to travel up to Peterborough, where Create and Craft film their shows, to do a screen test. This was a fifteen minute demo of what I can do to check that I would be OK on camera. There’s a whole list of things you can and can’t say, can’t wear (some patterns etc can look funny on camera!) and there was even a helpful video to watch of dos and don’ts!

I had my screen test with presenter Martyn Parker who had just been on air so must have been ready for a break! To be honest, in my view it didn’t go that well! My metal clay wasn’t behaving but I was able to keep talking and was passed to go on live TV! It was a great learning experience and made me really think very carefully about getting everything ready for the real thing.

I needed to have lots of samples of finished pieces that could be made with both the beginners kits and the stone setting kit to show. This really helps people get inspiration about the finished products that can be made with the tools and the online classes. I also needed some ‘here’s one I made earlier’ pieces so there was no waiting around on the show. Luckily, Jess had the finished samples that she had used previously for the beginners kits so I could focus on the stones. I went to LJS to pick up some samples from the stone setting silver clay class and put them on chains and cords. I also made some more pieces myself to take for display and to show as work in progress.

 

On the day

My shows were at 4pm and 7pm on 7th October. I was glad that they were later in the day as I could travel up from home and back in a day.

When I arrived I went into the green room to get ready. I got changed and did my makeup and hair (sadly there are no make up artists to do that for you!). Then I was able to go into the studio to set up the display of jewellery and the demonstration area. You have to be quiet in there as the live show is filming in the same studio so I tried not to drop anything!

The staff in the studio were so helpful, helping me set up the jewellery, unravelling chains and generally remembering the stuff that I might have forgotten! There was a bit of concern about the torch firing demonstration. It is something we do safely every day in our own studios at LJS but I understand that they don’t regularly use butane torches and so were a bit wary!

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First live show

I was so lucky to have Natasha McCarty to work with as my first presenter on live TV. She had previously done a show with Jess and was excited about the silver clay. She really helped keep me at my ease and I so appreciated that as I was nervous. I did find that the time flew by and I quickly just got on with talking about the clay and doing the demonstration and forgot the five cameras that were pointing at me!

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Feedback and making new samples

After the first show I went back to the green room for tea and custard creams! The producer came down to talk to me and asked if we could change the second show slightly to get to the polishing of a piece earlier. I could understand why, it’s important for people who hadn’t seen it before to be able to see how the clay turns into silver and the firing and polishing is the magical part.

This did mean, however, that I had to quickly made some new samples for the later show. I did this and dried them on the top of the kettle!

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Final show

My final show of the day was with Andy Love. He had been on air during the previous hour so I didn’t get much time to talk to him before the show started but he was also great to work with. I did two torch firing demonstrations in this hour (I’m sure they loved that!), one demonstrating the basic kit and one showing the glass setting.

Then it was time to pack everything back up to get the train home.

It was a long, tiring day but I really enjoyed the experience and hopefully I will get a chance to do it again!

Author: Anna Campbell

LJG Guest Blogger - Anna Campbell of Campbell Hall Designs

Why choose a private tuition class at the London Jewellery School

Tutor Anna Campbell has recently taught a number of private tuitions for us. She makes the case for choosing a private tuition and gives the case study example of one of our private students

 

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Title: Pieces made during a private tuition (by the tutee and tutor)

 

At the London Jewellery School we offer over a hundred different courses ranging from one evening to one year. But many people aren’t aware that we also offer private tuition. Our private tuition sessions are typically one day in length (10-5pm), one to one sessions with an expert tutor covering the topic/s of your choice.

But a private tuition is more expensive than a one day class so why choose one?

 

You get a course tailor made just for you

You can pick and choose projects from our classes that you would like to do. Alternatively, you can ask to cover something that we don’t have a class for and we will endeavour to find a tutor.

 

You get one to one tuition

Based on what you want to cover, an expert tutor will be chosen to help guide you throughout the day. Your tutor is hand picked by our management team based on the projects you would like to work on.

 

You get more done

When you are working one to one we find that you can cover more in the time as you have a dedicated expert working just with you at your pace.

 

Good use of your time, especially if you’re not based in London

We regularly have private tuition students that are not based in the UK. This summer we had a private tuition student who came over from Japan! She did a number of days of private tuition with us and covered beading, silver clay and polymer clay with different tutors.

Even if you are from the UK it can still be more economical in terms of time and money. For example, if you would like to do projects from intermediate and advanced beading you would have to pay for two days of courses and travel to us twice. But you could cover projects from both in one day (note – not all of the projects!)

 

Dedicated private tuition space

We have a dedicated private tuition space in our new studios in the heart of Hatton Garden which means we now have more availability of dates and times. We are open 7 days a week so can accommodate weekends as well as weekdays.

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The dedicated private tuition workshop at the London Jewellery School.

How do I arrange a private tuition?

Contact us by email on info@londonjewelleryschool.co.uk with as much detail as you can about what you would like to cover on your private tuition. Do include links to photos of the kinds of things you would like to achieve. This gives the management team the information they need to advise on what can be achieved in a day and to choose the tutor with the skills you would like to learn.

Also, please include a number of potential dates as we need both the room and tutor availability to match up with your availability. Please provide a phone number we can contact you on to help us do this quickly.

 

What have others covered in private tuitions?

Here are some things that have been covered in previous private tuition sessions. Please note, sometimes more than one day is necessary depending on the complexity of the work and number of projects you would like to make.

 

  • Making an engagement ring
  • Making a special gift e.g. for an anniversary, birthday etc
  • Jewellery business tailored advice
  • Support with a commission
  • Working in gold
  • Help in developing a collection
  • Glass and enamel work
  • Beading and wirework
  • Silver clay

 

Case study

K has recently taken voluntary redundancy from her work and would like to build up a part time jewellery business. After some discussion with our management team she booked two days of private tuition with me to work on silver clay projects.

 

K was able to pick and choose exactly what she wanted to learn from 4 different classes at LJS. These were:

Beginners metal clay

Intermediate metal clay

Soldering on metal clay

Fingerprint jewellery

 

Private tuition day 1

We covered topics from beginners metal clay and soldering on metal clay including

  • Silver clay earrings
  • A silicone mould and moulded silver charm
  • A cubic zirconia stone set pendant
  • Silver clay stud earrings
  • Silver clay cufflinks
  • Torch firing silver clay (all pieces were torch fired)
  • Soldering stud earrings and cufflinks

 

Private tuition day 2

We covered a mix of metal clay projects including

  • Fingerprint jewellery
  • Pendant with keum boo (gold leaf) and gold paste
  • How to make a silver clay bail
  • Silver clay ring with embellishment

 

(note – to cover all the projects K had to purchase some additional silver clay on day 2).
Would you like to know more about planning a private tuition? Give us a call on 0203 176 0546 to discuss what you would like to do.

Author: Anna Campbell

LJG Guest Blogger - Anna Campbell of Campbell Hall Designs